Presentation House Gallery
The Polygon Gallery
333 Chesterfield Avenue
North Vancouver, BC V7M 3G9


Art of Projection
Stan Douglas & Christopher Eamon, eds.

Edited by Christopher Eamon and Stan Douglas. With contributions by Mieke Bal, Adriane Beyn, Beatriz Colomina, Mary Ann Doane, Tom Gunning, David Joselit, Branden W. Joseph, Sven Lutticken, Thomas McDonough Mark Nash, Gregor Stemmrich
Signed by Stan Douglas. Out of Print.



192 pages
24 x 16.5 cm / 9.5 x 6.5 in
Signed by Stan Douglas
Published by Hatje Cantz in August 2009
ISBN 978-3775723701

This volume investigates the historical and contemporary use of projected images in art, from the screen to the exhibition space and back again. Ten essays, written by leading art historians and critics, including Stan Douglas, Mieke Bal and Beatriz Colomina, address precedents for the projection of images in space, including nineteenth-century magic lantern shows and the novel spatial/temporal representations pioneered by Surrealists and experimental filmmakers during the early and mid-twentieth century. Central to the book’s thesis are various alternatives–which were investigated by adherents of Expanded Cinema in the 70s and resurrected by video artists in the 90s–to the conventional portrayals of space and time promoted by the mainstream culture industry. Art of Projection serves as a timely reconsideration of media art’s history.
Signed by Stan Douglas

Dana Claxton
June Fourth, Fifth, & Sixth, Two Thousand & Six

Edited by Derek Barnett, Dana Claxton and Reid Shier



108 pages
Edition of 500
Published by Presentation House Gallery in December 2014
ISBN 978-0920293928

Paris, June Fourth, Fifth, & Sixth, Two Thousand & Six features 77 black and white photographs that Vancouver artist Dana Claxton made during a short, three-day visit to Paris, France. Initially conceived as a document of “Indians” as a prevalent cultural trope within the Parisian cityscape, Claxton’s photographic journey subsequently grew into a larger and more diverse portrait of the city’s urban life, a journey now compiled into this provocative publication. Claxton – who is of Hunkpapa Lakota ancestry – has been investigating the impact of colonialism on Aboriginal cultures throughout North America, and her innovative works readdressing the concerns and realities of contemporary Aboriginal peoples are recognized for their bold aesthetics and political punch. Her work is a powerful meditation on how representations and stereotypes of First Nations have been constructed and commodified, both historically and throughout contemporary popular culture.

Dana Claxton (b.1959, Yorkton, Saskatchewan) has been an influential teacher at Emily Carr University, University of Regina, Simon Fraser University and is now a faculty member at the University of British Columbia. Claxton is participating in the landmark exhibition The Plains Indians: Artists of Earth and Sky, at the Metropolitan Museum of Art, NYC (2015). She has participated in the exhibition Beat Nation, a survey of contemporary Aboriginal art, which travelled from the Vancouver Art Gallery, (2012) to The Power Plant, Toronto, (2012), and Musée d’art contemporain de Montréal, (2013). Other presentations include the 17th Biennale of Sydney, 2010; the Biennale of Montréal, 2007, Magnetic North at the Walker Art Centre, Minneapolis, 2000, and Walking with the Ancients at MoMA, New York, 1994. Claxton was awarded the prestigious VIVA Award from the Doris and Jack Shadbolt Foundation in 2001. Her work is included in the public collections of the National Gallery of Canada, Ottawa; Vancouver Art Gallery and Winnipeg Art Gallery. She is represented by Winsor Gallery (Vancouver).

Stan Douglas

Scotiabank Photography Award



228 pages
Scotiabank Photography Award
Published by Steidl in 2014
ISBN 978-3869307480

Stan Douglas is the third annual publication celebrating the winner of the Scotiabank Photography Award, Canada’s largest contemporary photography award for an established Canadian artist. During the celebrated career of this year’s award winner Stan Douglas (starting in 1983), photography has played a vital role in his artistic development. This publication highlights the significance of the photographic image in the critical and historical reception of Stan Douglas’ approach to art and media. The stories, sites and events that Douglas explores are populist, literate and timely. Frequently, his photographs describe the overlooked histories of cultural identity, displacement and injustice that reveal an uncanny resemblance to present-day events. This is achieved through an insightful attention to photography as both medium and subject. Folding the spectator into the visual culture of memory and oblivion that photographs evoke initiates profound observations about the ubiquity of photography in contemporary culture. The photographs of Stan Douglas affirm the validity and volatility of the photographic medium at this decisive moment in the history of art and photography.


Picturing Transformation

Katherine Dodds, Chief Bill Williams, Nancy Bleck (photographer)
Signed by the authors and photogapher



160 pages
first edition
Signed by the authors and photogapher

Published by Figure 1 Publishing in May 2014
ISBN 978-0991858804

The history of the Pacific Northwest is rife with stories of conflict between loggers and environmentalists, indigenous peoples and government-backed corporations. Many of them have ended in violence, arrests, and clear-cutting. Farm License 38, which encompasses Sims Creek in the upper Elaho Valley, became the site of a wholly different kind of protest between 1997 and 2007. Because of the actions of ten thousand people brought together by Squamish Nation Hereditary Chief Bill Williams, artist Nancy Bleck, and the late mountaineer John Clarke, this land — a 50,000-hectare section of the Squamish First Nation now known as Wild Spirit Places — was saved. Picturing Transformation is the story of Uts’am/Witness, a series of camping weekends held at Sims Creek that brought together indigenous and non-indigenous people to walk, sleep, eat, make art, have conversations, and participate in ceremonies on this disputed land. Through the words and photos of those who attended, this beautiful book pays homage to the power that people with strong vision and a common purpose can play in honoring tradition, safeguarding land, and changing policy. It is a lesson in the possibilities for resolving conflict peacefully, now and in the future.

Copies are signed by Nancy Bleck, Chief Bill Williams and Katherine Dodds

The Idea of the North
Birthe Piontek

Introduction by Karen Irvine, SIGNED by the photographer



63 pages
44 colour reproductions
Published by photolucida in Nov 2011
ISBN 1-934344-11-1

Birthe Pointek’s project has a dark tenor. She readily admits that she is drawn to the uncanny, and is interested in the project having an underlying tension, a feeling of uneasiness and disturbance. However, it is not intended to be a grim essay on the effects of isolation on the human soul. The work is about the North, the Idea we have of the North, but in the end it is about a place we seek most of our attempting to capture the essence of a place through the individuals who live there, to leave an impression, to reflect its intricacy, and to discover where the reality of the place brushes up against archetype and expectation.

Signed copies available

David Campany GASOLINE

Mack Books



100 pages
37 colour plates
37 black & white plates
24 cm x 32 cm
Softcover with dustjacket
Published by Mack Books in 2013
ISBN 9781907946448

The gas station is one of the most iconic of twentieth century buildings. Recognized across the world, it is arguably most established on American soil where the notion of the road trip on a full tank of gas is culturally ingrained.

Gasoline presents 35 archive press images of gas stations taken between 1944 and 1995. They have been collected by writer David Campany, purchased from the photography archives of several American newspapers which have been discarding their analogue print collections and moving to the now ubiquitous .jpeg or .tif formats.

Gasoline can be read as a cautionary tale about the modern dependence on oil, about news photography, about the shift from film to digital imaging, or as a minor history of car design and vernacular architecture. Marked with the grease pen notations of the newspapers’ art directors, the photos tell of oil shortages, road congestion, crimes, accidents and choking cities.

Individually the images are single moments in time; collectively they show a growing consciousness about cars, the oil trade and global concern about pollution.

David Campany is a London based writer, curator, and artist. He writes about documentary, photojournalism, art, cinema, fashion, archives, and architecture. He has published essays on many artists and photographers including, Paul Graham, Chris Killip, Edgar Martins and John Stezaker. His books include Walker Evans: the magazine work (2013), Art and Photography (2003), Photography and Cinema (2008)


In Advance of the Landing
Folk Concepts of Outer Space

Photograps by Douglas Curran, foreward by Tom Wolfe.
SIGNED by the Photographer



144 pages
Expanded edition
Published by Abbeville Press in 2001
ISBN 978-0789207081

Since it was first published in 1985, Douglas Curran’s photographic exploration of the strange world of UFO “true believers” has established itself as a classic work not only within the New Age/UFO community, but among sociologists, psychologists, and in the art and photography communities. This new edition, with an expanded text revisiting the Roswell, New Mexico, incident of 1947, brings back this essential work in a handsome new edition. As Tom Wolfe explains in his foreword: “Douglas Curran is not only a photographer but also a reporter, and an extremely gifted one. I am tempted to suggest that he also qualifies as an anthropologist, but I think I will leave it at ‘reporter.’ To be a reporter of Douglas Curran’s caliber is a lofty enough achievement. He has discovered an exotic world, and for eight years he has traveled remote terrains throughout the United States and Canada exploring it. This book is the culmination of a quest that, by terrestrial standards, is as extraordinary as that of the people he brings to life.” In the course of that long quest, Curran recorded-in sympathetic words and perceptive photographs-the ideas and experiences of individuals whose obsession with outer space inspired them to create elaborate homemade spaceships and even more elaborate belief systems. Now updated with several new photographs and an expanded text-and more relevant than ever, given the popularity of The X-Files and other investigations of alien life-In Advance of the Landing remains the definitive probe of a singularly fascinating subculture.

4o years of Colour Research at Babyland

Henri Robideau, Featuring Michael Morris, Vincent Trasov & Mick Henry



9.75 x 7.75
37 pages, 26 colour reproductions
Signed by Henri Robideau
Published by Henri Robideau in 2011
ISBN 978-0-9699766-2-2

Babyland, 40 Years of Colour Research at Babyland featuring Michael Morris, Vincent Trasov and Mick Henry. Photographs and text by Henri Robideau with artifacts from the Morris/Trasov Archive.

A document of Robideau’s two visits to Babyland in 2008, and a commemoration of forty years of art production along the “culture/nature fault line”.

Book designed by Henri Robideau.

Stan Douglas
Journey into Fear

Essays by Michael Turner, Julia Peyton-Jones, Stan Douglas, Achim Borchardt-Hume.



9.8 x 6.8 x 0.7 inches
168 pp
Published by Walther König in 2002
ISBN 978-3883755540

Intricate and emotive, Stan Douglas’s film installations are concerned with complex psychological states such as collective memories, forgotten histories, and social alienation. His recent project Journey into Fear derives from two sources–the 1942 and 1975 films of the same name, and Melville’s late novel The Confidence Man–and presents an endless array of possibilites, juxtaposing repetition and novelty, destroying conventional senses of time, and trapping the viewer in the haunting world of the film.

Roy Arden

Essay by Peter Culley. Notes by Roy Arden. Foreward by Bill Jeffries



Hardcover with jacket
9 x 6.75 x .25 inches
48 pp (16 color and 3 black and white plates)
Published by Presentation House Gallery in 2003
ISBN 920293530

The publication showcases colour photographs taken from 1981 to 85 by Vancouver-based artist Roy Arden, reflecting his interest in photographs “full of flesh and things”, which function “as a lyrical but Realist poetry.” Fragments reflects his experience of the world in a fashion that is personal but not autobiographical, essentially melancholic, and revealing of a time and space overlooked by means-end rationality. Arden produced these portraits and details of urban texture in Vancouver, Paris, Geneva and Berlin.

Exhibition dates: April 15 – June 4, 2000

Touring exhibition.

Designer: Timming & Debay. Printer: Hemlock Printers

Susan MacWilliam
Remote Viewing

Writers: Ciaran Carson, Brian Dillon, Martha Langford, Slavka Sverakova, Marina Warner. Editied by Karen Downey.



Soft Cover
11″ x 8.5″
144 pp

Published by Black Dog Publishing
ISBN 9781906155780

Through the use of video, photography and sculptural installation, Susan MacWilliam has created pieces of work on wide scoping aspects of the paranormal including accounts of materializing mediums and clairvoyants, optograms, trance, x-ray vision and dermo-optical perception, exploring specific myths and histories, challenging ideas about presentation and the credibility of an image.

Susan MacWilliam: Remote Viewing features the artist’s most recent work and her research into mediums, hysteria and psychology. Organised into three main sections the book looks extensively at her recent work including the three pieces being put forward for the Venice Biennale 2009; F-L-A-M-M-A-R-I-O-N, Eileen and Dermo Optics.

With supporting essays from a collection of prestigious writers and experts in the field, including poet Ciaran Carson, Venice Biennale curator Karen Downey, art writer Slavka Sverakova, Brian Dillon and Martha Langford, and excerpts from correspondences with parapsychologists, Remote Viewing is an extensive, in-depth look into MacWilliam’s artistic practice and the inspiration behind these major projects.

Copies are signed by the artist.