333 Chesterfield Avenue, North Vancouver, BC V7M 3G9

NANITCH: Early Photographs of British Columbia from the Langmann Collection



NANITCH offers the first look into the Uno Langmann Family Collection of BC Photographs, an important archive of over 18,000, rarely seen photographs recently donated to UBC Library by Vancouver’s Uno and Dianne Langmann and Uno Langmann Ltd. Spanning a sixty-year period from the 1860s to the early 1920s, this groundbreaking exhibition reveals dramatic changes in the province, as well as in how and why photographs were made.

The dynamic display of photographic material shows how the official activities of nineteenth-century working photographers using large-format cameras evolved with the introduction of amateur cameras and mass distribution of promotional photography. The eclectic material includes hand-coloured albumen prints, stereocards, cartes de visite, postcards and glass negatives.

NANITCH brings to light new interpretations of the early history of British Columbia. The significant role of the camera in colonization is suggested by the exhibition title, NANITCH, meaning “to look” in Chinook jargon—the lingua franca trade language of the Pacific Northwest at that time. Questioning colonialist narratives of progress, the exhibition emphasizes the contradictions of settlement. Early photographs of official land surveys family portraits, industrial ventures, commerce, political events, indigenous peoples and their displacement are brought into dialogue with dystopian conditions of failure.

The exhibition features rare albums of photographs, ranging from the first nineteenth-century government expeditions in the province to the turn-of-the-century, utopic community of Walhachin, which promoted land to entice settlers. Key photographers working in British Columbia at that time are highlighted, including Frederick Dally, Charles Horetzky, Charles Macmunn, Hannah and Richard Maynard, Ben Leeson, and Edward Curtis.

An illustrated publication and public programs will be produced in conjunction with  NANITCH.

We are grateful for the support of the reception partner, Gale Cengage Learning.

NANITCH is a co-production of Presentation House Gallery and the University of British Columbia Library. The exhibition and publication are part of UBC Library’s Centennial programme.







Saturday, April 16 | 7:30pm – Exhibition Reception
Monday, April 18 | 7:30pm – Gold Nuggets and Silver Salts: The Photographic Legacy of Frederick Dally, lecture by Joan M. Schwartz

During his brief career behind the camera (1866-1870), Frederick Dally produced not only a remarkable visual record of people and places from Coast to Cariboo, but also an enduring vision of land and life in early British Columbia. This talk will take a close look at the man behind the many familiar and iconic images of gold-rush era British Columbia and offer some observations on significant aspects of his photographic legacy.

Dr Joan M Schwartz is a professor at Queen’s University, Kingston, with research interests in the power of archives and photographs to shape notions of place and identity. This lecture draws on her research for a forthcoming book and exhibition at the Royal BC Museum on the life, landscapes, and legacy of Frederick Dally. 

Thursday, April 28 | 7:30 pm – Storymancy: Haunting, Divining, and Looking at Histories of the Pacific Northwest, part of the ‘Intertextual: Art in Dialogue’ reading series

Join Heather Caverhill and Tania Willard at Presentation House Gallery for a reading and discussion using divining techniques to reconsider historical narratives. The readings will be drawn from texts about Chinook jargon, such as Charles Lillard and Terry Glavin’s, A Voice Great Within Us (New Star Books, 1998), Utopian experiments and historical travel journals. Storymancy promises to provoke questions about the relationships between looking and reading the ghosts in historical photographs. Read more here.
See the bibliography from the event here.

Thursday, May 12 | 7:30pm – Exhibition Tour with Uno Langmann

Join Uno Langmann for a tour of NANITCH: Early Photographs of British Columbia from the Langmann Collection. Born of personal insights, curiosity, and a desire to retrieve historically relevant materials from obscurity, the collection offers a rich depictive history of British Columbia, and frames many stories still little understood and even less well told. This groundbreaking exhibition, culled from the collection, spans a sixty-year period from the 1860s to the early 1920s, and reveals dramatic changes in the province, as well as in how and why photographs were made.

“Collecting is a kind of disease, really: it grips you, takes hold of you. I have always been a collector, always looked for the unusual and the beautiful.” Originally from Denmark, Uno Langmann has been a fixture of the local art and antiques community since he first went into business in 1968, when he also began collecting historical photographs, 18,000 of which have recently been donated to UBC Library.

  • Richard Maynard, “Victoria, BC,” c. 1880, stereograph card (1084)

  • Installation image, 'NANITCH: Early Photographs of British Columbia from the Langmann Collection', courtesy of SITE Photography

Waterfront Station: Lying Stills: Constructing Truth with Photography

Isabelle Pauwels


Waterfront Station All Lines, Vancouver


Isabelle Pauwels’s sequence of images hovers between fantasy, absurdism, and documentary. Sourced from digital photographs, scans of family archives, and frame grabs from the artist’s past video productions, the images depict common cultural artifacts and are capped by mirroring analogue video colour bars that haven been superimposed with text clipped from digital HD video colour bars. Removed from their original contexts, further processed, and combined with texts that function as visual shapes as well as language, the images form an open-ended narrative. While evoking advertisements through the pairing of image and text, the resulting collages refrain from directing us to feel or react in a certain way. Their meanings shift according to how we combine and prioritize them in relation to the rest of the sequence. Left to right, right to left, these two but not the others—the story can change every time.

Presented by Presentation House Gallery in partnership with Capture Photography Festival and the Canada Line Public Art Program — intransitBC. Capture gratefully acknowledges the support of the British Columbia Arts Council.

  • Isabelle Pauwels, Untitled, 2016, series of 7 prints, 48" x 32" each