PostcommoditKrista Belle Stewart
curated by Raymond Boisjoly
Friday, October 7, 7 PM: Introduction with Raymond Boisjoly, Tricia Livingston, and Krista Belle Stewart, followed by opening reception
Thursday, October 13, 8 PM: Sound performance by Postcommodity
Curated by Artist Raymond Boisjoly Screens and Thresholds considers the impact of mediation on our understanding of history and experience. Diverse works in photography, video, and installation are brought together to examine the anxieties and possibilities in visualizing cultural knowledge—from the limits of scientific objectivity, to the ways knowledge is transferred from one person to another, to the persistence of certain practices in changing circumstances. The exhibition highlights the processes of transformation, not simply their results; in this way, the works may be framed as “medial,” situated somewhere between a beginning and an end.
Raymond Boisjoly is an Indigenous artist of Haida descent based in Vancouver. He has presented solo exhibitions and projects in numerous galleries, museums and artist-run centres in Canada and elsewhere, including solo exhibitions at Catriona Jeffries Gallery, Vancouver; Koffler Centre of the Arts, Toronto; VOX, Montreal. In 2016, he was presented with a VIVA award by the Shadbolt Foundation. Boisjoly is an Assistant Professor of Interdisciplinary Studio in the Department of Visual Art + Material Practice at Emily Carr University of Art + Design. He is represented by Catriona Jeffries Gallery.
Scott Benesiinaabandan is an Anishinabe intermedia artist living in Montreal who works primarily in photography, printmaking, and video. His work has been included in group exhibitions such as our land, together, Harbourfront Centre, Toronto; Fifth World, Mendel Art Gallery, Saskatchewan; and GHOSTDANCE: Activism, Resistance, Art, Ryerson Image Centre, Toronto. He has had residencies in Australia and Ireland.
Tricia Livingston is an Indigenous artist currently living and working on her home territory in northern British Columbia. She holds a BFA in Photography and Art History from Concordia University and she participated in a thematic residency at the Banff Centre in 2014. Her work concerns itself with ideas of remoteness, displacement, recovery, and revitalization and the ways these concepts can be used to converse with institutional archives.
Mike MacDonald, of Mi’kmaq ancestry, lived in Vancouver for more than two decades in the 1980s and ’90s. A multimedia artist, he was a video art pioneer whose works were featured in exhibitions worldwide, including the Canadian Museum of Civilization in Hull, Quebec; the Heard Museum in Phoenix, Arizona; the Walter Philips Gallery in Banff, Alberta; and the Canadian Cultural Centre in Paris, France. In 1994 he was awarded the prestigious Jack and Doris Shadbolt VIVA Prize. Many of his projects took inspiration from traditional Aboriginal medicine and focused on environmental issues. His ethnobotany research on butterflies resulted in a website, photographs, and numerous butterfly gardens, including one on Presentation House property.
Karthik Pandian, who works in moving image and sculpture, lives in Bennington, Vermont. He has had solo exhibitions at The Whitney Museum of American Art, New York; Bétonsalon, Paris; Midway Contemporary Art, Minneapolis; and White Flag Projects, St. Louis, amongst others. His work was featured in the inaugural “Made in L.A.” biennial at the Hammer Museum; “La Triennale: Intense Proximity” at the Palais de Tokyo, Paris; and the 4th Marrakech Biennale, and in group exhibitions such as Film as Sculpture at Wiels Contemporary Art Centre, Brussels and Repertory at the Palazzo Cavour, Torino.
Postcommodity is an interdisciplinary arts collective based in New Mexico, comprising Raven Chacon, Cristóbal Martínez, and Kade L. Twist. Their work has been shown in recent exhibitions, including the 18th Biennale of Sydney; Adelaide International; Scottsdale Museum of Contemporary Art; Contour, the 5th Biennial of the Moving Image, Mechelen, Belgium; Nuit Blanche, Toronto; as well as the historic land-art installation Repellent Fence at the U.S./Mexico border near Douglas, Arizona, and Agua Prieta, Sonora.
Krista Belle Stewart has recently had solo exhibitions at the Contemporary Art Gallery, Vancouver, Kelowna Art Gallery, and Mercer Union, Toronto, with group exhibitions at Artspeak, Western Front, and Esker Foundation, Calgary, amongst others. An iteration of Indian Artists at Work will be part of a group exhibition, Vancouver Special: Ambivalent Pleasures, opening at the Vancouver Art Gallery in December. She has an MFA from Bard College, New York. Stewart is a member of the Upper Nicola Band of the Okanagan Nation, and currently lives in Vancouver.
Screens and Thresholds is generously supported by The Audain Foundation.